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Both in his native Denmark and around the world, Thomas Jensen became known for his uniquely authoritative interpretations of Carl Nielsen's music. His postwar Decca and HMV studio recordings of the first two symphonies are inflected with unrivalled sweep and passion. They are coupled here with previously unpublished broadcasts of music by four Danish composers from the generation after Nielsen, including the brooding Largo which set the scene for Carl Th. Dreyer's cinematic masterpiece, Ordet (The Word). Thomas Jensen studied at the Danish Conservatory of Music. Jensen led several Danish ensembles, including the Danish National Symphony Orchestra (from 1957) and the Aarhus Symphony Orchestra (then known as the Aarhus Civic Orchestra). In Aarhus he built the small orchestra up through broadcasts and tours within Denmark and later to Germany and the Netherlands. He also conducted the Tivoli Concert Hall Orchestra.
Both in his native Denmark and around the world, Thomas Jensen became known for his uniquely authoritative interpretations of Carl Nielsen's music. His postwar Decca and HMV studio recordings of the first two symphonies are inflected with unrivalled sweep and passion. They are coupled here with previously unpublished broadcasts of music by four Danish composers from the generation after Nielsen, including the brooding Largo which set the scene for Carl Th. Dreyer's cinematic masterpiece, Ordet (The Word). Thomas Jensen studied at the Danish Conservatory of Music. Jensen led several Danish ensembles, including the Danish National Symphony Orchestra (from 1957) and the Aarhus Symphony Orchestra (then known as the Aarhus Civic Orchestra). In Aarhus he built the small orchestra up through broadcasts and tours within Denmark and later to Germany and the Netherlands. He also conducted the Tivoli Concert Hall Orchestra.
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Both in his native Denmark and around the world, Thomas Jensen became known for his uniquely authoritative interpretations of Carl Nielsen's music. His postwar Decca and HMV studio recordings of the first two symphonies are inflected with unrivalled sweep and passion. They are coupled here with previously unpublished broadcasts of music by four Danish composers from the generation after Nielsen, including the brooding Largo which set the scene for Carl Th. Dreyer's cinematic masterpiece, Ordet (The Word). Thomas Jensen studied at the Danish Conservatory of Music. Jensen led several Danish ensembles, including the Danish National Symphony Orchestra (from 1957) and the Aarhus Symphony Orchestra (then known as the Aarhus Civic Orchestra). In Aarhus he built the small orchestra up through broadcasts and tours within Denmark and later to Germany and the Netherlands. He also conducted the Tivoli Concert Hall Orchestra.
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