Mayr's great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with it's clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr's imposing, tonally consonant and expressive setting can be heard in all it's grandeur and eloquence. With it's striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.
Mayr's great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with it's clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr's imposing, tonally consonant and expressive setting can be heard in all it's grandeur and eloquence. With it's striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.
747313405770

Details

Format: CD
Label: NXS
Rel. Date: 02/14/2020
UPC: 747313405770

Mass in E Flat Major
Artist: Concerto de Bassus
Format: CD
New: Available $11.99
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DISC: 1
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1. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Ia. Kyrie. Kyrie Eleison
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2. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Ib. Kyrie. Christe Eleison
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3. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Ic. Kyrie. Kyrie Eleison
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4. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iia. Gloria
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5. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iib. Gloria. Et In Terra
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6. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iic. Gloria. Gratias Agimus
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7. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iid. Gloria. Domine Deus
8. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iie. Gloria. Qui Tollis
9. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iif. Gloria. Qui Sedes
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10. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iig. Gloria. Cum Sancto
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11. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iiia. Credo
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12. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iiib. Credo. Et Incarnatus
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13. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iiic. Credo. Et Resurrexit
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14. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): Iiid. Credo. Et Vitam Venturi
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15. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): IV. Sanctus
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16. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): V. Benedictus
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17. Mass In E-Flat Major (Arr. F. Hauk & M. Hößl): VI. Agnus Dei
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More Info:

Mayr's great Mass in E flat major is a late work, largely composed in 1843. It conforms to the prevailing Italian messa concertata tradition with it's clear divisions into distinct vocal numbers, as opposed to the symphonic Mass which held sway north of the Alps. In this reconstruction and musical revival, Mayr's imposing, tonally consonant and expressive setting can be heard in all it's grandeur and eloquence. With it's striking vocal solos and choruses, and characteristically songlike instrumental roles, Mayr contributed a late pinnacle in the long history of this form of the Mass.